![]() For example, you can use this to brush in sharpening, using a mask on a sharpened copy of a layer. Using a layer mask (or vector mask) is the standard way to restrict adjustments to specific areas of an image. That’s in addition to being able to hide the entire adjustment by hiding its layer. If you want to see what the layer looks like without the mask, Shift-click the layer mask. If you set the foreground color to a gray shade, the mask will become partially transparent where you paint.Ħ. The brush paints the foreground color (white) into the mask, revealing the Vibrance adjustment where you paint. Set the Brush tool to the kind of brush you want, and paint in the Vibrance layer mask. That’s the shortcut for choosing Edit > Fill, and setting Contents to Background. With the mask filled with black, the adjustment is completely hidden.ĥ. This fills the mask with the default background color, black. With the Vibrance adjustment layer mask still active, press Ctrl-Backspace (Windows) or Command-Delete (macOS). The keyboard shortcut for this is to press the D key.Ĥ. Reset the foreground and background colors to their default white and black colors, respectively. For now, don’t be concerned about the fact that it affects the entire canvas. Set the amount of Vibrance you want, and press Enter. ![]() The demo adds it with the Adjustments panel, which is a shortcut for choosing Layer > New Adjustment Layer > Vibrance.Ģ. By default, it comes with a mask filled with white, which means the adjustment applies to the entire canvas. Some steps to set that up are below, along with a demo:ġ. Yes, a layer mask is what you want to use, but to brush in the adjustment, the mask must start out black, and then you paint white into it.
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